Karol G, rusowsky and Judeline Reclaim No. 1 on Spain's LOS40 With “BbY WOW”

Oct 26

4 min read

Updated: 3 days ago

Karol G, rusowsky and Judeline Reclaim No. 1 on Spain's LOS40 With “BbY WOW”

Photo: Programas Telemedellín / Wikimedia Commons, CC BY 3.0

“BbY WOW” climbs from No. 2 to No. 1, replacing Ravyn Lenae's “Love Me Not” and securing its third week atop the Spanish radio chart.

The Comeback Matters More Than the First Victory

Karol G, rusowsky and Judeline have reclaimed No. 1 in Spain, and Crazy TV believes the real achievement is not simply reaching the top again. It is proving that a collaboration between an international superstar and two artists from a different musical scene can maintain its place in a competitive chart.

According to LOS40 journalist Miguel Ángel Bargueño, “BbY WOW” returned to No. 1 on October 24, 2026, after climbing from second place.

The song had surrendered the top position to Ravyn Lenae's “Love Me Not” the previous week.

Now the trio has three weeks at No. 1 across seven weeks on the chart.

That is the distinction worth remembering.

A debut at the summit can introduce a song to the public record. Returning after another artist takes the lead demonstrates that its chart story did not end with its first victory.

The crown changed hands.

Then “BbY WOW” reclaimed it.

Karol G Does Not Have to Own Every Spotlight

The most important creative decision behind “BbY WOW” may be the choice of collaborators.

LOS40 identifies rusowsky and Judeline as artists connected to Spain's newer music scene and describes the recording as a departure from some of Karol G's more familiar musical approaches.

Karol G already carries international recognition. She does not need two emerging names to establish her own status.

But sharing a recording with artists who bring different musical identities creates an opportunity for something more interesting than a predictable superstar release.

Crazy TV believes the strongest collaborations allow listeners to recognize the contributions of everyone involved.

The distinction is between sharing a song and simply borrowing another artist's presence.

LOS40 describes “BbY WOW” as a meeting of three musical personalities rather than a conventional addition of guests to Karol G's existing sound.

That interpretation gives the collaboration its cultural importance.

The song is not only evidence of Karol G's commercial reach. It is also a documented moment of recognition for rusowsky and Judeline.

All three names belong beside the achievement.

Three Weeks at No. 1 Must Be Recorded Accurately

Chart numbers carry authority only when they are explained correctly.

LOS40 confirms three specific measurements for the October 24 update.

“BbY WOW” climbed one position from No. 2.

It reached its third week at No. 1.

And it had spent seven weeks in the ranking.

Those numbers do not mean the song spent three consecutive weeks at the top.

Ravyn Lenae's “Love Me Not” interrupted its run.

That interruption is precisely what makes the return significant.

Crazy TV believes music coverage should resist turning every No. 1 into a vague declaration of dominance.

A chart position is a defined result within a particular ranking. It is not proof that every listener prefers one song or that the recording is objectively superior to its competitors.

The confirmed story is strong enough without those claims.

“BbY WOW” regained first place after losing it.

That is an earned achievement within LOS40's chart.

Ravyn Lenae's Achievement Should Not Disappear

A comeback story always involves the artist who previously held the position.

In this case, that artist is Ravyn Lenae.

LOS40 reports that “Love Me Not” occupied No. 1 during the preceding week before “BbY WOW” returned.

Crazy TV believes that sequence deserves to be preserved because chart history is more valuable when every achievement remains visible.

Lenae's week at the summit does not become less meaningful because another recording subsequently overtakes it.

Likewise, Karol G, rusowsky and Judeline do not need to diminish their competitor to establish the importance of their own return.

The chart records movement.

It does not require a personal rivalry.

The more interesting observation is that recordings associated with different musical backgrounds can compete for attention within Spain's LOS40 ranking.

That creates a wider conversation about what music reaches the center of a mainstream chart.

The Real Victory Is Shared Recognition

LOS40 also reported other movements in its October 24 ranking.

Morat's “Me mata” climbed seven positions to No. 25, while Rosa Linn entered at No. 33 with “Music I Love.”

Aitana's “Superestrella” remained at No. 13 during its 55th week on the chart, having previously reached No. 1 three times.

Those figures demonstrate that the ranking contains different kinds of achievement.

A rapid climb, a new entry, a long chart run and a return to first place tell different stories.

“BbY WOW” belongs to the last category.

Its next weekly position will show whether the trio can extend the run, but the October 24 report does not establish what happens afterward.

Crazy TV's verdict is that this comeback deserves recognition because the song returned to No. 1 while keeping three distinct artists attached to the result. Karol G brought international visibility to the collaboration, but rusowsky and Judeline are not footnotes to its success. The chart credits all three. The cultural record should do the same.

Does “BbY WOW” show that major Latin stars create their strongest collaborations when they share the spotlight with artists from different musical scenes?

Culture. On record.